The Poetics of re-reading in Nabokov’s Pale Fire and Barthes’ S/Z
Keywords:
Vladimir Nabokov, Postmodernism, Roland Barthes, Theory, Structuralism, Hermeneutics,Abstract
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References
Balzac, Honore de. “Sarrasine”. [1830] Paris: Gallimard “Folio”, 1995.
Barthes, Roland.S/Z. Translated by Richard Miller. New York: Hill and Wang , 1974.
Nabokov, Vladimir. Pale Fire. Harmmondsworth, Penguin, 1962.
Nabokov, Vladimir. Lectures on Literature.Ed. F. Bowers. London: Pan Books Ltd, 1980.
Works Cited: Secondary Sources
Barthes, Roland. Mythologies. Paris: Seuil, “Pierres Vives”, 1963.
---. Le plaisir du texte. Paris: Seuil, “Points Essais”, 1973.
---. Roland Barthes par Roland Barthes. Paris: Seuil, “Ecrivains de Toujours”, 1975.
---. L'aventure sémiologique. Paris, Seuil, collection essais Points [1985]
Boyd Brian. Nabokov’s Pale Fire: The Magic of Artistic Discovery. Princeton UP, 1999
Haegert, John. “The Author as Reader as Nabokov: Text and Pretext in Pale Fire.” Texas Studies in Literature and Language 26, no.4 (1984), 405-24.
Lyons, John O. “Pale Fire and the Fine Art of Annotation.” In Nabokov, the Man and His work. Dembo ed., Madison University of Wisconsin Press, 1967, 157-64.
Meyer Priscilla. Find what the Sailor has Hidden, Vladimir Nabokov’sPale Fire. Middletown, CT: Wesleyan UP, 1988.
Morris, J. "Genius and Plausibility: Suspension of Disbelief in Pale Fire”.http://www.libraries.psu.edu/nabokov/morris1.htm
Wood, Michael. “The Demons of our Pity” in The Magician’s doubts. Nabokov and the Risks of Fiction. Princeton UP, 1994.
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