Proper Silences and Noisy Evils in Jane Austen’s Sense and Sensibility, Mansfield Park, and Persuasion
Keywords:
Jane Austen, Silence, Gender StudiesAbstract
No abstract available.Downloads
References
Auerbach, Nina. “Jane Austen’s Dangerous Charm.” Mansfield Park and Persuasion. Ed. Judy Simmons. New York: St. Martin’s Press, 1997. 49-66.
Austen, Jane. Mansfield Park. (1814). Ed. and Intro and Notes. Kathryn Sutherland. Intro. Tony Tanner. London: Penguin Books, 1996, 2003.
---. Persuasion. (1818). Ed. and Intro. Gillian Beer. London: Penguin Books, 1998, 2003.
---. Pride and Prejudice. (1813).
---. Sense and Sensibility. (1811). Ed. and Intro. Ros Ballaster. Intro. Tony Tanner. London: Penguin Books, 1995, 2003.
Brown, Julia Prewitt. “The Radical Pessimism of Persuasion.” Mansfield Park and Persuasion. Ed. Judy Simmons. New York: St. Martin’s Press, 1997.124-136.
Butler, Marilyn. “Mansfield Park: Ideology and Execution.” Mansfield Park and Persuasion. Ed. Judy Simmons. New York: St. Martin’s Press, 1997. 19-36.
Fritzer, Penelope Joan. Jane Austen and Eighteenth-Century Courtesy Books. London: Greenwood Press, 1997.
Gilbert, Sandra M. and Susan Gubar. “Jane Austen’s Cover Story.” Mansfield Park and Persuasion. Ed. Judy Simmons. New York: St. Martin’s Press, 1997. 137-148.
Hardy, John. “Elinor Dashwood.” Jane Austen’s Heroines: Intimacy in Human Relationships. London: Routledge and Kegan Paul, 1984. 19-35.
Kirkham, Margaret. “Feminist Irony and the Priceless Heroine of Mansfield Park.” Jane Austen: New Perspectives. Women and Literature, New Series, Volume 3. Ed. Janet Todd. New York: Holmes and Meier Publishers, Inc., 1983. 231-247.
Leighton, Angela. “Sense and Silences.” Jane Austen: New Perspectives. Women and Literature, New Series, Volume 3. Ed. Janet Todd. New York: Holmes and Meier Publishers, Inc., 1983. 128-141.
Meyersohn, Marylea. “Jane Austen’s Garrulous Speakers: Social Criticism in Sense and Sensibility, Emma, and Persuasion.” Reading and Writing Women’s Lives: A Study in the Novel of Manners. Ed. Bege K. Bowers and Barbara Brothers. Ann Arbor: UMI Research Press, 1990. 35-48.
---. “What Fanny Knew: A Quiet Auditor of the Whole.” Jane Austen: New Perspectives. Women and Literature, New Series, Volume 3. Ed. Janet Todd.New York: Holmes and Meier Publishers, Inc., 1983. 224-230.
Miller, D. A. “Good Riddance: Closure in Mansfield Park.” Mansfield Park and Persuasion. Ed. Judy Simmons. New York: St. Martin’s Press, 1997. 37-48.
Mooneyham, Laura G. “Loss and the Language of Restitution in Persuasion.” Mansifield Park and Persuasion. Ed. Judy Simmons. New York: St. Martin’s Press, 1997. 166-182.
Poovey, Mary. “The True English Style.” Mansfield Park and Persuasion. Ed. Judy Simmons. New York: St. Martin’s Press, 1997. 93-106.
Sulloway, Alison G. “Voices and Silences: The Province of the Drawing Room and the War of Debates.” Jane Austen and the Province of Womanhood.Philadelphia: University of Pennsylvania Press, 1989. 160-185.
Tomalin, Claire. Jane Austen: A Life. New York: Vintage Books, 1999.
Trilling, Lionel. “Manners, Morals, and the Novel.” The Moral Obligation to be Intelligent. Ed. Leon Wieseltier. New York: Farrar, Straus, Giroux, 2000.105-119.
---. “Mansfield Park.” The Moral Obligation to be Intelligent. Ed. Leon Wieseltier. New York: Farrar, Straus, Giroux, 2000. 292-310.
Wallace, Tara Ghoshal. “Sense and Sensibility and Feminine Authority.” Jane Austen and Narrative Authority. New York: St. Martin’s Press, 1995. 31-44.
Watson, Nicola J. Revolution and the Form of the British Novel 1790-1825: Intercepted Letters, Interrupted Seductions. Oxford: Clarendon Press, 1994
Weissman, Cheryl Ann. “Doubleness and Refrain in Jane Austen’s Persuasion.” Mansfield Park and Persuasion. Ed. Judy Simmons. New York: St. Martin’s Press, 1997. 205-211.
Downloads
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 licence that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Authors may deposit the Submitted version; Accepted version (Author Accepted Manuscript); or Published version (Version of Record) in an institutional repository of the author's choice.
