"The Looking Glass": Visual Perception in Elizabeth Bishop's 'The Gentleman of Shalott' and John Ashbery's 'Self-Portrait in a Convex Mirror'

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John Ashbery, Elizabeth Bishop, Visual Perception, Phenomenology, Aesthetics

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Ashbery, John. Self-Portrait in a Convex Mirror. Manchester: Caranet New Press,

Bishop, Elizabeth. The Complete Poems. New York: Farrar, Straus and Giroux, 1969.

Edelman, Lee. “The Pose of Imposture: Ashbery’s Self-Portrait in a Convex Mirror.” Twentieth Century Literature 32.1 (1986) 95–114.

Jarraway, David R. “‘O Canada!’: The Spectral Lesbian Poetics of Elizabeth Bishop.” PMLA 113.2 (1998) 243–257.

Stamelman, Richard. “Critical Reflections: Poetry and Art Criticism in Ashbery’s

‘Self-Portait in a Convex Mirror’.” New Literary History 15.3 (1984)

–630.

Wade, Nicholas J., and Michael Swanston. Visual Perception: An Introduction.

London: Routledge, 1991.

2005-09-01

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"The Looking Glass": Visual Perception in Elizabeth Bishop’s ’The Gentleman of Shalott’ and John Ashbery’s ’Self-Portrait in a Convex Mirror’. (2005). Postgraduate English: A Journal and Forum for Postgraduates in English, 12. https://postgradenglishjournal.awh.durham.ac.uk/ojs/index.php/pgenglish/article/view/48

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