William Blake and the Bible: Reading and Writing the Law

Authors

  • Michael Farrell University of Oxford

Keywords:

William Blake, Religious Studies, The Law, Aesthetics, Ethics

Abstract

No abstract available.

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References

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Barthes, Roland. Image, Music, Text. Trans. Stephen Heath. London: Fontana, 1977.

Beckett, Thomas. Our Exagmination Round His Factification for Imagination of Work in Progress. London, 1929.

Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. Oxford: Oxford University Press, 1973.

---. Poetry and Repression: Revisionism From Blake to Stevens. London: Yale University Press, 1976.

Chandler, Eric. ‘The Anxiety of Production: Blake’s Shift from Collective Hope to Writing Self’. Blake, Politics, and History. Eds. J. Di Salvo, G. A. Rosso and Christopher Hobson. London: Garland, 1998: 53-80.

Culler, Jonathan. Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature. London: Routledge, 1975.

Cunningham, Valentine. ‘Renoving That Bible: The Absolute Text of (Post) Modernism’.The Theory of Reading. Ed. Frank Gloversmith. Sussex: Harvester Press, 1984, 1-52.

Derrida, Jacques. Acts of Literature. Trans. Derek Attridge. London: Routledge, 1992.

Erdman, David, ed. The Complete Poetry and Prose of William Blake. New York: Anchor Books, 1988.

Essick, Robert. ‘Jerusalem and Blake’s Final Works’. The Cambridge Companion to William Blake. Ed. Morris Eaves. Cambridge: University of Cambridge, 2004: 251-272.

Fish, Stanley. Is There a Text in This Class? The Authority of Interpretive Communities.Harvard: Harvard University Press, 1980.

---. ‘Working on the Chain Gang: Interpretation in Law and Literature’. Texas Law Review LX (1981-82): 551-569.

---. Doing What Comes Naturally: Change, Rhetoric, and the Practice of Theory in Literary and Legal Studies. Oxford: Oxford University Press, 1989.

Fiss, Owen. ‘Objectivity and Interpretation’. Stanford Law Review XXXIV(1982): 739-764

Frye, Northrop.The Great Code: The Bible and Literature. New York: Harvest, 1982.

---. Fearful Symmetry: A Study of William Blake. Princeton: Princeton University Press, 1990.

Gadamer, Hans-Georg. Truth and Method. London: Sheed and Ward, 1975.

Iser, Wolfgang. The Range of Interpretation. New York: Columbia University Press, 2000.

Kermode, Frank. Salmagundi XLIII (1979): 72-86

Lowth, Robert. Lectures on the Sacred Poetry of the Hebrews. London: Kessinger, 2004.

Makdidi, Saree. ‘The Political Aesthetic of Blake’s Images’. The Cambridge Companion to William Blake. Ed. Morris Eaves. Cambridge: Cambridge University Press, 2004. 110-133.

Mc Gann, Jerome. ‘The Idea of an Intermediate Text: Blake’s Bible of Hell and Dr.Alexander Geddes’. Studies in Romanticism XXV (1986): 303-325.

Mee, Jon. Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s. Oxford: Clarendon Press, 2002.

Miller, Dan. ‘Contrary Revelation: The Marriage of Heaven and Hell’. Studies in Romanticism XXIV (1985): 491-510.

Milton, John. Poetical Works. Ed. Douglas Bush. Oxford: Oxford University Press, 1979.

Mitchell, W. J. T. Blake’s Composite Art. Princeton: Princeton University Press, 1978.

Olsen, S. H. The End of Literary Theory. Cambridge: Cambridge University Press, 1987.

Roston, Murray. Prophet and Poet: The Bible and the Growth of Romanticism. London: Faber, 1965.

Simpson, David. ‘Reading Blake and Derrida – Our Caesars Neither Praised Nor Buried’. William Blake. Ed. David Punter. London: Macmillan, 2004: 149-165.

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Todorov, Tzvetan. ‘The Typology of Detective Fiction’. Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Routledge, 2000: 137-144.

The Holy Bible: King James Version.

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Published

2006-03-01

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Articles

How to Cite

William Blake and the Bible: Reading and Writing the Law. (2006). Postgraduate English: A Journal and Forum for Postgraduates in English, 13. https://postgradenglishjournal.awh.durham.ac.uk/ojs/index.php/pgenglish/article/view/53