William Blake and the Bible: Reading and Writing the Law
Keywords:
William Blake, Religious Studies, The Law, Aesthetics, EthicsAbstract
No abstract available.Downloads
References
Altien, Charles. ‘An Idea and Ideal of the Literary Canon’. Canons. Ed. Robert Von Hallberg. Chicago: Chicago University Press, 1984: 41-65.
Bakhtin, Mikhail. Problems of Dostoevsky’s Poetics. Trans. Caryl Emerson. Minneapolis: University of Minnesota, 2003.
Baudrillard, Jean. Simulacra and Simulation. Trans. Sheila Faria Glaser. Michigan: University of Michigan Press, 2003.
Barthes, Roland. Image, Music, Text. Trans. Stephen Heath. London: Fontana, 1977.
Beckett, Thomas. Our Exagmination Round His Factification for Imagination of Work in Progress. London, 1929.
Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. Oxford: Oxford University Press, 1973.
---. Poetry and Repression: Revisionism From Blake to Stevens. London: Yale University Press, 1976.
Chandler, Eric. ‘The Anxiety of Production: Blake’s Shift from Collective Hope to Writing Self’. Blake, Politics, and History. Eds. J. Di Salvo, G. A. Rosso and Christopher Hobson. London: Garland, 1998: 53-80.
Culler, Jonathan. Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature. London: Routledge, 1975.
Cunningham, Valentine. ‘Renoving That Bible: The Absolute Text of (Post) Modernism’.The Theory of Reading. Ed. Frank Gloversmith. Sussex: Harvester Press, 1984, 1-52.
Derrida, Jacques. Acts of Literature. Trans. Derek Attridge. London: Routledge, 1992.
Erdman, David, ed. The Complete Poetry and Prose of William Blake. New York: Anchor Books, 1988.
Essick, Robert. ‘Jerusalem and Blake’s Final Works’. The Cambridge Companion to William Blake. Ed. Morris Eaves. Cambridge: University of Cambridge, 2004: 251-272.
Fish, Stanley. Is There a Text in This Class? The Authority of Interpretive Communities.Harvard: Harvard University Press, 1980.
---. ‘Working on the Chain Gang: Interpretation in Law and Literature’. Texas Law Review LX (1981-82): 551-569.
---. Doing What Comes Naturally: Change, Rhetoric, and the Practice of Theory in Literary and Legal Studies. Oxford: Oxford University Press, 1989.
Fiss, Owen. ‘Objectivity and Interpretation’. Stanford Law Review XXXIV(1982): 739-764
Frye, Northrop.The Great Code: The Bible and Literature. New York: Harvest, 1982.
---. Fearful Symmetry: A Study of William Blake. Princeton: Princeton University Press, 1990.
Gadamer, Hans-Georg. Truth and Method. London: Sheed and Ward, 1975.
Iser, Wolfgang. The Range of Interpretation. New York: Columbia University Press, 2000.
Kermode, Frank. Salmagundi XLIII (1979): 72-86
Lowth, Robert. Lectures on the Sacred Poetry of the Hebrews. London: Kessinger, 2004.
Makdidi, Saree. ‘The Political Aesthetic of Blake’s Images’. The Cambridge Companion to William Blake. Ed. Morris Eaves. Cambridge: Cambridge University Press, 2004. 110-133.
Mc Gann, Jerome. ‘The Idea of an Intermediate Text: Blake’s Bible of Hell and Dr.Alexander Geddes’. Studies in Romanticism XXV (1986): 303-325.
Mee, Jon. Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s. Oxford: Clarendon Press, 2002.
Miller, Dan. ‘Contrary Revelation: The Marriage of Heaven and Hell’. Studies in Romanticism XXIV (1985): 491-510.
Milton, John. Poetical Works. Ed. Douglas Bush. Oxford: Oxford University Press, 1979.
Mitchell, W. J. T. Blake’s Composite Art. Princeton: Princeton University Press, 1978.
Olsen, S. H. The End of Literary Theory. Cambridge: Cambridge University Press, 1987.
Roston, Murray. Prophet and Poet: The Bible and the Growth of Romanticism. London: Faber, 1965.
Simpson, David. ‘Reading Blake and Derrida – Our Caesars Neither Praised Nor Buried’. William Blake. Ed. David Punter. London: Macmillan, 2004: 149-165.
Tannenbaum, Leslie. Biblical Tradition in Blake’s Early Prophecies: The Great Code of Art. Princeton: Princeton University Press, 1982.
Todorov, Tzvetan. ‘The Typology of Detective Fiction’. Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Routledge, 2000: 137-144.
The Holy Bible: King James Version.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 licence that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Authors may deposit the Submitted version; Accepted version (Author Accepted Manuscript); or Published version (Version of Record) in an institutional repository of the author's choice.