“Pure beauty of line”: Gerard Hopkins and William Butterfield

Authors

  • Martin Dubois University of York

Keywords:

Gerard Hopkins, William Butterfield, Victorian, Architecture, Urban Aesthetics

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References

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Blair, Kirstie, ed. John Keble in Context. London: Anthem, 2004.

Bremer, Rudy. “Hopkins and William Butterfield.” The Hopkins Quarterly 7 (3) 1980: 119-134.

Bridges, Robert. “Editor’s Preface to Notes.” Poems of Gerard Manley Hopkins. London: Humphry Milford, 1918. www.bartleby.com/122 [accessed 10 September 2007]

Brooks, Chris. Introduction. The Victorian Church: Architecture and society. Eds. Chris Brooks and Andrew Saint. Manchester and New York: Manchester University Press, 1995. 1-29.

Cherry, Bridget and Pevsner, Nikolaus. Devon (The Buildings of England), 2nd ed. London: Penguin, 1989.

Clark, Kenneth. The Gothic Revival: An Essay in the History of Taste. London: Constable & Co., 1928.

Flint, Kate. The Victorians and the Visual Imagination. Cambridge: Cambridge University Press, 2000.

Frank, Ellen Eve. Literary Architecture: Essays Toward a Tradition: Walter Pater, Gerard Manley Hopkins, Marcel Proust, Henry James. Berkeley: University of California Press, 1979.

Hill, Rosemary. “Butterfield, William (1814–1900).” Oxford Dictionary of National Biography. Oxford: Oxford University Press, 2004. http://www.oxforddnb.com/view/article/4228 [accessed 3 July 2007]

Howell, Peter. “‘The Disastrous Deformation of Butterfield’: Balliol College Chapel in the Twentieth Century.” Architectural History, 44 (2001): 283-292.

Hopkins, Gerard Manley. Further Letters of Gerard Manley Hopkins, including his correspondence with Coventry Patmore. Ed. Claude Colleer Abbott. London: Oxford University Press, 1956.

---. The Journals and Papers of Gerard Manley Hopkins. Ed. Humphry House, completed by Graham Storey. London: Oxford University Press, 1959.

---. The Letters of Gerard Manley Hopkins to Robert Bridges. Ed. Claude Colleer

Abbott. London: Oxford University Press, 1935.

---. The Poems of Gerard Manley Hopkins. Eds. W.H. Gardner and N.H. MacKenzie. Oxford: Oxford University Press, 1970.

Johnson, Margaret. Gerard Manley Hopkins and Tractarian Poetry. Aldershot: Ashgate, 1997.

Robbins, Ruth and Wolfreys, Julian, eds. Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. Basingstoke: Palgrave Macmillan, 2000.

Saint, Andrew. Richard Norman Shaw (Yale Center for British Art). London: Yale University Press, 1976.

Sherwood, Jennifer and Pevsner, Nikolaus. Oxfordshire (The Buildings of England). Harmondworth: Penguin, 1974.

Storey, Graham. “Hopkins and William Butterfield: A New Letter.” The Hopkins Research Bulletin 5 (1974): 3-5.

Thompson, Paul. “All Saints’ Church, Margaret Street, Reconsidered”. Architectural History 8 (1965): 73-94.

---. William Butterfield. London: Routledge & Kegan Paul, 1971.

Trodd, Colin, Barlow, Paul and Amigioni, David (eds.). Victorian Culture and the

Idea of the Grotesque. Aldershot: Ashgate, 1999. Victorian Poetry 44 (1): 2006, “Special Issue: Tractarian Poets”.

White, Norman. Hopkins: A Literary Biography, 3rd ed. Oxford: Clarendon Press, 1995.

---. “Hopkins and All Saints’ Babbacombe.” The Hopkins Quarterly 20 (1-2) 1993: 40-43.

---. “The Context of Hopkins’ Drawings.” All My Eyes See: The Visual World of Gerard Manley Hopkins. Ed. R.K.R. Thornton. Ceolfrith Press:Sunderland Arts Centre, 1975.

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“Pure beauty of line”: Gerard Hopkins and William Butterfield. (2007). Postgraduate English: A Journal and Forum for Postgraduates in English, 16. https://postgradenglishjournal.awh.durham.ac.uk/ojs/index.php/pgenglish/article/view/68