Performing “in the likeness of a petticoat”: Playing Helen of Troy and Medea in the Drama of James Shirley

Authors

  • Katherine Heavey Durham University

Keywords:

James Shirley, Drama, Myth, Ovid

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References

Greenblatt Stephen, et al, eds. The Norton Shakespeare. New York: W.W. Norton, 1997.

Jonson, Ben. ‘The Alchemist’ and Other Plays: ‘Volpone, or The Fox’, ‘Epicene, or The Silent Woman’, ‘The Alchemist’, ‘Bartholomew Fair’. Ed. Gordon Campbell. Oxford: Oxford UP, 1995.

Shirley, James. The Dramatic Works and Poems of James Shirley, Now First Collected. Ed. William Gifford and Alexander Dyce. 6 vols. London: John Murray, 1833.

Bentley, Gerald Eades. The Jacobean and Caroline Stage. 7 vols. Oxford: Clarendon, 1968.

Burner, Sandra A. James Shirley: A Study of Literary Coteries and Patronage in Seventeenth-Century England. Lanham: UP of America, 1988.

Chaudhuri, Supriya. “Jason’s Fleece: The Source of Sir Epicure Mammon’s Allegory”. RES New Series 35.137 (1984): 71-3.

Cohen, Walter. “Pre-Revolutionary Drama”. In Gordon McMullan and Jonathan Hope, eds. The Politics of Tragicomedy: Shakespeare and After.Routledge: London, 1992: 122-150.

Desens, Marliss C. The Bed-Trick in English Renaissance Drama: Explorations in Gender, Sexuality, and Power. Newark: U of Delaware P, 1994.

Gillespie, Stuart, and David Hopkins, eds. The Oxford History of Literary Translation in English. 5 vols. Oxford: Oxford UP, 2005.

de Groot, Jerome. “Coteries, Complications and the Question of Female Agency”. In Ian Atherton and Julie Sanders, eds. The 1630s: Interdisciplinary Essays on Culture and Politics in the Caroline Era. Manchester: Manchester UP, 2006: 189-209.

Halliwell-Phillips, James Orchard. A Dictionary of Old English Plays, Existing Either in Print or in Manuscript, From the Earliest Times to the Close of the Seventeenth Century. Including Also Notices of Latin Plays Written by English Authors, in the Same Period. London: John Russell Smith, 1860.

Sanders, Julie. Caroline Drama: The Plays of Massinger, Ford, Shirley and Brome. Plymouth: Northcote House in Association with the British Council, 1999.

Shepherd, Simon. Amazons and Warrior Women: Varieties of Feminism in Seventeenth-Century Drama. Brighton: Harvester, 1981.

Tomlinson, Sophie. “She That Plays the King: Henrietta Maria and the Threat of the Actress in Caroline Culture”. In McMullan and Hope, eds. The Politics of Tragicomedy: 189-207.

Welsford, Enid. The Court Masque: A Study in the Relationship Between Poetry and the Revels. Cambridge: Cambridge UP, 1927.

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Performing “in the likeness of a petticoat”: Playing Helen of Troy and Medea in the Drama of James Shirley. (2009). Postgraduate English: A Journal and Forum for Postgraduates in English, 19. https://postgradenglishjournal.awh.durham.ac.uk/ojs/index.php/pgenglish/article/view/78