“Let Me Take You Down...” Stephen Poliakoff's Strawberry Fields, Pop Music and 1970s Ennui
Keywords:
Stephen Poliakoff, Music and Literature, DramaAbstract
No abstract available.Downloads
References
Abbs, Peter (ed). The Black Rainbow – Essays On The Present Breakdown Of Culture. London: Heinemann Educational Books, 1975.
Barrett, Natasha. ‘Trends In Electronic Music’. The Cambridge Companion To Electronic Music. Eds. Nick Collins and Julio d’Escrivain. Cambridge: Cambridge University Press, 2007: 232-253.
Bracewell, Michael. The Nineties - When Surface Was Depth. London: Flamingo, 2003.
MacDonald, Ian. Revolution In The Head – The Beatles’ Records And The Sixties. London: Pimlico, 1995.
Moran, Joe. On Roads – A Hidden History. London: Profile Books, 2010.
Morgan, Kenneth. Britain Since 1945 – The People’s Peace, New Edition. Oxford: Oxford University Press, 2001.
Nelson, Robin. Stephen Poliakoff - On Stage And Screen. London: Methuen, 2011.
Poliakoff, Stephen. Plays : 1. London: Methuen, 1989.
- Strawberry Fields. London: Methuen, 1977.
Priestman, Martin. ‘Drama In The 1970s’. Cultural Closure? – The Arts In The 1970s. Ed. Bart Moore-Gilbert. London: Routledge, 1994: 281-299.
Reynolds, Simon. Rip It Up And Start Again. London: Faber&Faber, 2006.
Ross, Alex. The Rest Is Noise – Listening To The Twentieth Century. London: Fourth Estate, 2008.
Savage, Jon. England’s Dreaming – Sex Pistols and Punk Rock. London: Faber&Faber, 1991.
Williams, Raymond. The Long Revolution. London: Penguin, 1968.
- Marxism And Literature. London: Penguin, 1977.
‘Strawberry Fields Forever’. The Beatles. Magical Mystery Tour. Parlophone Records, 1967.
‘London’s Burning’. The Clash. The Clash. EMI Records, 1977.
‘Wanna Be Me’. The Sex Pistols. The Great Rock ‘n’ Roll Swindle. Virgin Records, 1978.
Downloads
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 licence that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Authors may deposit the Submitted version; Accepted version (Author Accepted Manuscript); or Published version (Version of Record) in an institutional repository of the author's choice.