The Little Magazine as Interdisciplinary Space: Literature and the Visual Arts in the Acorn (1905-6) and the Apple (1920-22)
Keywords:
Interdisciplinarity, Magazine, Print, ModernismAbstract
No abstract available.Downloads
References
“Advertisement.” The Apple 1.1 (Jan. 1920): 4.
“Advertisements Page.” The Apple 1.1 (Jan. 1920): 2.
Barry, Iris. “Going to Work.” The Apple 1.1 (Jan. 1920): 32.
Benson, Arthur C. “The Troth of the Sword,” The Acorn 1 (Nov. 1905): 33-51.
Blunt, Frank. “Machine and Painter.” The Apple. 2.2 (Ap. 1922): 74-8.
Chandler, Edward. “Angkor, a Pilgrimage.” The Acorn 1 (Nov. 1905):1-19.
Eliot, T.S. “The Waste Land,” in The Complete Poems and Plays. London: Faber and Faber, 1969: 122-56.
Furst, Herbert. “Editorial.” The Apple 1.2 (Apr. 1920): 77.
---“Foreword.” The Apple 1.1 (Jan. 1920): 5.
--- “Where is Art?” The Apple. 1.3 (Jul. 1920): 150-6.
Golding, Louis. “Of a Miraculous Mirror.” The Apple, 1.1 (Jan. 1920): 62-65.
Graves, Robert. “Lost Love.” The Apple. 1.1 (Jan. 1920): 86.
Jacob, Violet. “The Wythan Tree.” The Acorn 1 (Nov. 1905): 21-32.
“List of Illustrations.” The Acorn 1 (Nov. 1905): vi.
Murry, John Middleton. “What We Have Tried to Do.” Rhythm, 1.3 (Winter 1911): 36.
“Pears Advertisement.” The Apple, 1.1 (Jan. 1920): 69.
Pound, Ezra. “Obstructivity.” The Apple, 1.3 (July 1920): 168-72.
--- “The Curse.” The Apple 1.1 (Jan. 1920): 22-4.
Sitwell, Osbert. “The Song of a General’s Wife.” The Apple. 1.1 (Jan. 1920): 33.
Smith, Jean Guthrie. “Wapping Old Stars.” The Apple. 1.1 (Jan. 1920): 33.
Yeats, W. B.. “Do Not Love Too Long.” The Acorn 1 (Nov. 1905): 20.
--- “O Do Not Love Too Long.” The Valorium Edition of the Poems of W.B. Yeats. Eds. Peter Allt and Russel K. Alspach. New York: Macmillan, 1957.
--- “O Do Not Love Too Long.” In the Seven Woods and The Green Helmet and Other Poems. Ed. David Holdeman. Ithaca: Cornell University Press, 2002.
Attridge, Derek. The Singularity of Literature. Abingdon: Routledge, 2004.
Beasley, Rebecca. “Literature and the Visual Arts: Art and Letters (1917-20) and The Apple (1920-2) in in The Oxford Critical and Cultural History of Modernist Magazines. Eds. Peter Brooker and Andrew Thacker. Vol. 1: Britain and Ireland: 1880-1955. Oxford: Oxford UP, 2009. 485-504.
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction,” in Illuminations: Essays and Reflections. Ed. Hannah Arendt. New York: Schoken, 1969: 220-32.
Bornstein, George, Material Modernism. Cambridge: Cambridge UP, 2001.
Brooker et al. The Oxford Handbook of Modernisms. Oxford: Oxford UP, 2010.
Brooker, Peter and Andrew Thacker eds. The Oxford Critical and Cultural History of Modernist Magazines. Vol. 1: Britain and Ireland: 1880-1955. Oxford: Oxford UP, 2009.
Brake, Laurel and Marysa Demoor. Dictionary of nineteenth-century journalism in Great Britain and Ireland. London: British Library, 2009.
Christopher Crouch. “Architecture, Design, and Modern Living,” in The Oxford Handbook of Modernisms. Brooker et al. Oxford, Oxford UP: 618-36.
Fletcher, Ian. “Decadence and the Little Magazines,” in Decadence and the 1890s. Ed. Ian Fletcher. London: Edward Arnold, 1979.
Genette, Gérard. Paratexts. Trans. Jane E. Lewin. Cambridge: Cambridge UP, 1997.
Goody, Alex. “Rogue Magazine: Fashion, Feminism and the Avant-Garde.” Modernism, Cultural Exchange and Transationality: The Second Conference of the AHRC Modernist Magazines Project. University of Sussex, United Kingdom. 13-15 July 2009. Conference paper.
Hart, Imogen. “The Arts and Crafts Movement: The Century Guild Hobby Horse (1884-94), The Evergreen (1895-7), and The Acorn (1905-6),” in The Oxford Critical and Cultural History of Modernist Magazines. Eds. Peter Brooker and Andrew Thacker. Vol. 1: Britain and Ireland: 1880-1955. Oxford: Oxford UP, 2009. 120-44.
Hoffman, Frederick J., Charles Allen, and Carolyn F. Ulrich eds. The Little Magazine: A History and a Bibliography. Princeton: Princeton UP, 1946.
Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, and Postmodernism. Basingstoke: The Macmillan Press Ltd, 1986.
Jones, Susan. “At the Still Point: T. S. Eliot, Dance, and Modernism,” Dance Research Journal, 41:2 (2009): 31-51.
Maltz, Diana. British Aesthetcism and the Urban Working Classes, 1870-1900. Hampshire: Palgrave Macmillan, 2006.
McDonald, Peter. British literary culture and publishing practice: 1880-1914. Cambridge: Cambridge UP, 1997.
McGann, Jerome. The Textual Condition. Princeton: Princeton UP, 1991.
Miller, Simon Shaw. “Modernist Music,” in The Oxford Handbook of Modernisms. Brooker et al. Oxford, Oxford UP: 599-617.
Morrisson, Mark, S.. The Public Face of Modernism. Wisconsin: Wisconsin UP, 2001.
Rainey, Lawrence. Institutions of Modernism: Literary Elites and Public Culture. New Haven: Yale UP, 1998.
Scholes, Robert and Clifford Wulfman. Modernism in the Magazines. New Haven: Yale UP, 2010.
Shiach, Morag. “Periodizing Modernism,” in The Oxford Handbook of Modernisms. Brooker et al. Oxford: Oxford UP, 2010: 17-31.
Stansky, Peter. Redesigning the World: William Morris, the 1890s, and the Arts and | Crafts. Princeton: Princeton UP, 1985.
Thacker, Andrew. “Modern Tastes in Rhythm: The Visual and Verbal Culture of Advertisements in Modernist Magazines.” The Journal of Katherine Mansfield Studies 2 (2010): 4-19.
Downloads
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 licence that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Authors may deposit the Submitted version; Accepted version (Author Accepted Manuscript); or Published version (Version of Record) in an institutional repository of the author's choice.
