“Edgar Allan Poe: A Case Study for the Necessity of a ‘Word and Music’ Vocabulary”

Authors

  • Charity McAdams The University of Edinburgh

Keywords:

Music and Literature, Edgar Allan Poe

Abstract

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References

Baudelaire, Charles. “New Notes on Edgar Poe.” The Unknown Poe. By Raymond E. Foye. San Francisco: City Lights, 1980. 93-XXX. Print.

Bennett, Maurice J. “ ‘The Madness of Art’: Poe’s ‘Ligeia’ as Metafiction.” Poe Studies 14.1 (1981): 1-6. Print.

Bieganowski, Ronald. “The Self-Consuming Narrator in Poe’s ‘Ligeia’ and ‘Usher.’” American Literature 60.2 (1988): 175-187. Rpt. in Critical Insights: The Tales of Edgar Allan Poe. Ed. Steven Frye. Salem Press, 2010. 198-211. Print.

Canada, Mark. “Flight into Fancy: Poe’s Discovery of the Right Brain.” Southern Literary Journal 33.2 (2001): 62-79. Online.

Clüver, Claus. “The Musikgedicht: Notes on an Ekphrastic Genre.” Word and Music Studies: Defining the Field. Ed. Walter Bernhart, Steven P. Scher, and Werner Wolf. Amsterdam: Rodopi, 1999. 187-204. Print.

Dahlhaus, Carl. The Idea of Absolute Music. Trans. Roger Lustic. University of Chicago Press, 1978. Print.

Foerster, Norman. “Quantity and Quality in the Aesthetic of Poe.” Studies in Philology 20 (1923): 310-335. Online.

Frye, Steven, ed. Critical Insights: The Tales of Edgar Allan Poe. Salem Press, 2010. Print.

Harrison, James Albert. Life and Letters of Edgar Allan Poe Vol. I. Thomas Y. Cromwell & Co, 1902. Print.

Hoffman, Daniel. Poe Poe Poe Poe Poe Poe Poe. Baton Rouge: Louisiana State University Press, 1972. Print.

Irwin, John T. “The White Shadow.” 1980. Rpt. in Edgar Allan Poe. Ed. Harold Bloom. New York, N.Y.: Chelsea House, 1985. 103-118. Print.

More, Paul Elmer. “A Note on Poe’s Method.” Studies in Philology 20 (1923): 302-209. Online.

Poe, Edgar A. “Letter to B—.” Rpt. in Essays and Reviews. Ed. Gary R. Thompson. New York, N.Y.: Literary Classics of the United States, 1984. 5-12. Print.

Poe, Edgar A. Letter to James Russell Lowell. 2 July 1844. The Letters of Edgar Allan Poe. Vol. 1. Cambridge: Harvard UP, 1948. 257. Print.

Pollin, Burton R. “Poe as a Writer of Songs.” American Renaissance Literary Report. 6.1 (1992): 58-66. Print.

Pollin, Burton R. “Poe’s ‘Eldorado’ Viewed as a Song of the West.” Prairie Schooner. 46.1 (1973): 228-235. Print.

Rayan, Krishna. “Edgar Allan Poe and Suggestiveness.” The British Journal of Aesthetics 9 (1969): 73-79. Online.

Rollason, Christopher. “Tell-Tale Signs—Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality.” Atlantis 31.2 (2009): 41-56. Web.

Sullivan, Jack. “New Worlds of Terror: The Legacy of Poe in Debussy and Ravel.” LIT 5.1 (1994): 83-93. Online.

Whitt, Celia. “The Mysteries of Udolpho.” Studies in English 17 (1937): 124-131. Online.

Wolf, Werner. “Musicalized Fiction and Intermediality.” Word and Music Studies: Defining the Field. Ed. Walter Bernhart, Steven P. Scher, and Werner Wolf. Amsterdam: Rodopi, 1999. 37-58. Print.

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“Edgar Allan Poe: A Case Study for the Necessity of a ‘Word and Music’ Vocabulary”. (2011). Postgraduate English: A Journal and Forum for Postgraduates in English, 23. https://postgradenglishjournal.awh.durham.ac.uk/ojs/index.php/pgenglish/article/view/89