“All is hubble-bubble, swarm and chaos”: The cognitive contingencies and possibilities in Virginia Woolf’s “The Cinema”

Authors

  • Avishek Parui Durham University

Keywords:

Virginia Woolf, Photography, Film, Modernism, Phenomenology

Abstract

No abstract available.

Downloads

Download data is not yet available.

References

Adair, Gilbert, ed. Movies. Harmondsworth: Penguin, 1999. Print.

Armstrong, Tim. Modernism, Technology and the Body: A Cultural Study. Cambridge: Cambridge University Press, 1998. Print.

Benjamin, Walter. Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. London: Fontana, 1973. Print.

Bogue, Ronald. Deleuze on Cinema. New York and London: Routledge, 2003. Print.

Bon, Gustave Le. The Crowd. New York: Viking, 1960. Print.

Bratlinger, Patrick. Bread and Circuses: Theories of Mass Culture as Social Decay. Ithaca: Cornell University Press, 1983. Print.

Buchwald, Jed. Z. The Rise of the Wave Theory of Light: Optical Theory and Experiment in the Early Nineteenth Century.Chicago: University of Chicago Press, 1989. Print.

Caughie, Pamela L, ed. Virginia Woolf in the Age of Mechanical Reproduction. New York: Garland Publishing Inc., 2000. Print.

Crary, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, Massachusetts: The MIT Press, 1999. Print.

---. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Massachusetts: MIT Press, 1990. Print.

Danziger, Kurt. Wilhelm Wundt and the Making of a Scientific Psychology. Ed. R.W.Rieber. New York: Plenum, 1980. Print.

Deleuze, Giles. Cinema 1: The Movement Image. Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: University of Minnesota Press, 1986. Print.

---. Difference and Repetition. Trans. Paul Patton. New York: Columbia University Press, 1994. Print.

---. The Logic of Sense. Trans. Constantin V. Boundas. New York: Columbia University Press, 1990. Print.

Eisenstein, Sergei M. The Film Sense. Trans. and Ed. Jay Leyda. London: Faber and Faber Limited, 1942. Print.

---. Film Form: Essays in Film Theory. Trans. and Ed. Jay Leyda. New York: Harcourt Brace, 1949. Print.

Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. London: Thames and Hudson, 1969. Print.

Elsaesser, Thomas, ed. Early Cinema: Space, frame, Narrative, London: BFI Publishing, 1990. Print.

Frisby, David. Fragments of Modernity: Theories of Modernity in the Work of Simmel, Kracauer and Benjamin. Cambridge: Polity Press, 1985. Print.

Gregory, R.L. The Eye and Brain: The Psychology of Seeing (Princeton: Princeton University Press, 1990. Print.

Hight, Eleanor M. Picturing Modernism: Moholy-Nagy and Photography in Weimer Germany. Cambridge, MA and London: MIT Press, 1995. Print.

Humm, Maggie. Modernist Women and Visual Cultures. New Brunswick, New Jersey: Rutgers University Press, 2003. Print.

Kelly, Andrew. Cinema and the Great War. London and New York: Routledge, 1997. Print.

Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of the German Film. Princeton: Princeton University Press, 1947. Print.

---. The Mass Ornament. Trans. Thomas Y. Levin. Cambridge, MA: Harvard University Press, 1995. Print.

---. Theory of Film. New York: Oxford University Press, 1960. Print.

Ladd, George Trumbull. Elements of Physiological Psychology: A treatise of the activities and nature of the mind from the physical and experimental point of view. London: Longmans, 1887. Print.

Lash, Scott and Jonathan Friedman, eds. Modernity and Identity. Oxford: Blackwell, 1992. Print.

Leary, Liam O’. The Silent Cinema. London: Studio Vista Limited, 1965. Print.

Marcus, Laura. The Tenth Muse: Writing about Cinema in the Modernist Period. New York: Oxford University Press, 2007. Print.

Moscovici, Serge. The Age of the Crowd: A Historical Treatise on Mass Psychology. Trans. J.C.Whitehouse. Cambridge: Cambridge University Press, 1985. Print.

Mrázková, Daniela and Vladimir Remes. Early Soviet Photographers. Oxford: Museum of Modern Art, 1982. Print.

Nietzsche, Friedrich. The Will to Power. Trans. Walter Kauffmann and R.J. Hollingdale. Ed. Walter Kauffmann. New York: Vintage Books, 1968. Print.

Pasolini, Pier Pablo. Movies and Methods. Ed. Bill Nichols. Vol. 1. Berkeley, CA: University of California Press, 1976. Print.

Ryan, Judith. The Vanishing Subject: Early Psychology and Literary Modernism. Chicago and London: University of Chicago Press, 1991. Print.

Schwartz, Vanessa. Spectacular Realities: Early Mass Culture in Fin-de-Siècle Paris. Berkeley: University of California Press, 1998. Print.

Simmel, George. The Sociology of Georg Simmel. Trans. and Ed. Kurt. H.Wolff. New York: The Free Press, 1950. Print.

Spiegel, Alan. Fiction and the Camera Eye: Visual Consciousness in Film and the Modern Novel. Charlottesville, University Press of Virginia, 1976. Print.

Stam, Robert. Literature through Film: Realism, Magic and the Art of Adaptation. London: Blackwell Publishing, 2005. Print.

Stam, Robert and Alessandra Raengo, eds. A Companion to Literature and Film. Oxford: Blackwell Publishing, 2004. Print.

Thurschwell, Pamela. Literature, Technology and Magical Thinking, 1880-1920. Cambridge: Cambridge University Press, 2001. Print.

Trotter, David. Cinema and Modernism. Oxford: Blackwell Publishing, 2007. Print.

---. The English Novel in History 1895-1920. Oxon and New York: Routledge, 1993. Print.

Vertov, Dziga. Kino-Eye. Ed. Annette Michelson. Trans. Kevin O'Brien. Berkeley: University Of California Press, 1984. Print.

Warner, Marina. Phantasmagoria: Spirit Visions, Metaphors and Media into the Twenty-first Century. Oxford: Oxford University Press, 2006. Print.

Woolf, Virginia. Collected Essays. Ed. Leonard Woolf. Vol. 2. London: The Hogarth Press, 1966. Print.

Downloads

Issue

Section

Articles

How to Cite

“All is hubble-bubble, swarm and chaos”: The cognitive contingencies and possibilities in Virginia Woolf’s “The Cinema”. (2011). Postgraduate English: A Journal and Forum for Postgraduates in English, 23. https://postgradenglishjournal.awh.durham.ac.uk/ojs/index.php/pgenglish/article/view/92