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  3. No. 29 (2014): September

No. 29 (2014): September

Published: 2014-09-25

Articles

  • A Palpable Void: The Remediation of Bruno Schulz’s The Street of Crocodiles as a Visual Work of Art in Jonathan Safran Foer’s Tree of Codes

    John Mark Wilson
    • PDF
  • "Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye

    Sarah Jilani
    • PDF
  • 'I Write This Sitting in the Kitchen Sink': The Novelist as Observer and Journal-Keeper in Dodie Smith's I Capture the Castle and William Boyd's Any Human Heart

    Rachel Darling
    • PDF
  • Tony Kushner’s Use of Angels in Building a Community

    Emil Rybczak
    • PDF
  • ‘Saved by Separation…All in One Piece’: Surrealist Collage in Barnes’ Nightwood and Nin’s Collages

    Olivia Ho
    • PDF
  • Wolves in Sheep's Clothing: Transgressive Sexualities in ‘Little Red Riding Hood’ and Angela Carter

    Jennifer Reid
    • PDF
  • Music, Death-in-life and Paradise in Sylvia Townsend Warner’s Novel The Corner That Held Them

    Lynn Mutti
    • PDF

Keywords

Postgraduate English is hosted by Durham University, Department of English Studies, UK. Unless otherwise specified, all articles published from 2000-2011 inclusive are copyright Durham University. All articles published from 2012 onwards are copyright of the author(s). All articles from 2012 onwards are published under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 licence.

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ISSN: 1756-9761

Durham University Department of English Studies

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