No. 29 (2014): September

Articles

• A Palpable Void: The Remediation of Bruno Schulz’s The Street of Crocodiles as a Visual Work of Art in Jonathan Safran Foer’s Tree of Codes

  John Mark Wilson

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• "Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye

  Sarah Jilani

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• 'I Write This Sitting in the Kitchen Sink': The Novelist as Observer and Journal-Keeper in Dodie Smith's I Capture the Castle and William Boyd's Any Human Heart

  Rachel Darling

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• Tony Kushner’s Use of Angels in Building a Community

  Emil Rybczak

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• ‘Saved by Separation…All in One Piece’: Surrealist Collage in Barnes’ Nightwood and Nin’s Collages

  Olivia Ho

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• Wolves in Sheep's Clothing: Transgressive Sexualities in ‘Little Red Riding Hood’ and Angela Carter

  Jennifer Reid

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• Music, Death-in-life and Paradise in Sylvia Townsend Warner’s Novel The Corner That Held Them

  Lynn Mutti

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