No 29 (2014)

No 29 (2014)

September

Table of Contents

Articles

A Palpable Void: The Remediation of Bruno Schulzs The Street of Crocodiles as a Visual Work of Art in Jonathan Safran Foers Tree of Codes

John Mark Wilson

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"Regarde le nre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye

Sarah Jilani

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'I Write This Sitting in the Kitchen Sink': The Novelist as Observer and Journal-Keeper in Dodie Smith's I Capture the Castle and William Boyd's Any Human Heart

Rachel Darling

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Tony Kushners Use of Angels in Building a Community

Emil Rybczak

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Saved by SeparationAll in One Piece: Surrealist Collage in Barnes Nightwood and Nins Collages

Olivia Ho

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Wolves in Sheep's Clothing: Transgressive Sexualities in Little Red Riding Hood and Angela Carter

Jennifer Reid

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Music, Death-in-life and Paradise in Sylvia Townsend Warners Novel The Corner That Held Them

Lynn Mutti

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ISSN: 1756-9761