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• ‘Saved by Separation…All in One Piece’: Surrealist Collage in Barnes’ Nightwood and Nin’s Collages

  Olivia Ho

  2014-11-09

• A Palpable Void: The Remediation of Bruno Schulz’s The Street of Crocodiles as a Visual Work of Art in Jonathan Safran Foer’s Tree of Codes

  John Mark Wilson

  2014-11-09

• Traversing the Feminine: The Reclamation of Women’s “Immense Bodily Territories” in Jeanette Winterson’s Written on the Body and The Passion

  Margaret Ravenel Richardson

• Making and Breaking Hegemonies: Kazuo Ishiguro and History

  Alyn Webley

  2006-03-01

• Dreaming Brokenly of Deaths by Fire. Deconstructions of Social Myths in A. L. Kennedy’s Night Geometry and the Garscadden Trains

  Tudor Balinisteanu

  2005-03-01

• Veni, Vidi, Vici: The Goddess Athena in Vonnegut, Irving, and King Stories

  Heidi Strengell

• Does Anyone Have the Right Time Please? A New Perspective on Time Travel Narratives in the 1950s & 1960s

  Sinead Boyd

• Beyond Signification: The Realist View of Consciousness in Don DeLillo's End Zone

  Benjamin Bird

• Consuming desire: Identity and narration in Romesh Gunesekera’s Reef

  Sharanya Jayawickrama

• The Poetics of re-reading in Nabokov’s Pale Fire and Barthes’ S/Z

  Yannicke Chupin

• The Space of Belonging: Alienation in Doris Lessing’s The Marriages between Zones Three, Four and Five

  David Waterman

• Re-Writing the City: Postmodern Observing in the Imaginary Londons of Salman Rushdie's The Satanic Verses and Iain Sinclair's Downriver

  Nick Bentley

• Literary Traditions in Contemporary Anglo-African Fiction

  Petra Bittner