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• Changing States: Examining Postmodern concepts of adaptation in Ali Smith’s Hotel World and Kazuo Ishiguro’s Never Let Me Go

  Alexander Abichou

  2017-01-31

• "Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye

  Sarah Jilani

  2014-11-09

• Confession, subjectivity and McCarthyist paranoia in Sylvia Plath’s The Bell Jar: A Foucauldian perspective

  Sarah Ives

• Literary Modernism at the Present Time: Perspectivising the Work of T.S. Eliot and Samuel Beckett through the Shifting Lens of Critical Realism

  Arnold Lim

• ‘Stark Raving Sane’: Melancholy as a Form of Fictionality in Hamlet

  Laura Seymour

• Beyond Signification: The Realist View of Consciousness in Don DeLillo's End Zone

  Benjamin Bird

• The Space of Belonging: Alienation in Doris Lessing’s The Marriages between Zones Three, Four and Five

  David Waterman