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• Voli Me Tangere: Touch and Tenderness in the Lady Chatterley Novels

  Annabel Banks

  2016-06-01

• 'Man is the Measure': The Individual and the Tribe in Modernist Representations of the Primitive

  Victoria Addis

  2016-06-01

• ‘Throbbing on taut ear-drum’: The Acoustics of David Jones’ In Parenthesis

  Suzannah Evans

  2015-09-30

• And the waters broke above us”: Dante, Ulysses, and the Contemporary Irish Poet’s Quest

  Maren Kratz

• The Poetry of ‘Italicization’: Acts of Perception in Louis MacNeice’s ‘Snow’ and ‘Train to Dublin’

  Nao Igarashi

  2017-03-31

• An Urban Romance: London and the Marriage Plot in Virginia Woolf's 'Night and Day'

  Agnieszka Serdynska

• The Storyteller in Chance: A Case Study of Joseph Conrad’s Marlow Narratives

  Paul Wake

• The Search for Authenticity: Aspects of Conrad's Existential Vision

  Matthew Feldman

• “We Like a Fire and We Don’t Mind if it Smokes”: Gertrude Stein’s Transgressive World of Words in Lifting Belly

  Tyke O'Brien

  2004-09-01

• Bridging Music and Language in Samuel Beckett’s Ghost Trio and Nacht und Träume

  Lucy Jeffrey

  2016-06-01

• Perception, Communication, and Body Language in The White Peacock and Lady Chatterley’s Lover

  Ollie Taylor

  2005-09-01

• Virginia Woolf’s Versions of Russia

  Darya Protopopova

  2006-03-01

• The Ghostly Body of England in Mary Butts’ ‘With and Without Buttons’

  Tom Slingsby

• Literary Modernism at the Present Time: Perspectivising the Work of T.S. Eliot and Samuel Beckett through the Shifting Lens of Critical Realism

  Arnold Lim

• Music, A Motif in Modernism: An Examination of the Musical Design in “Four Quartets”

  Jeremy Diaper

• “The Horror! The Horror!”: Traumatic Repetition in Joseph Conrad’s “Heart of Darkness” and Mark Z. Danielewski’s “House of Leaves”

  Conor Michael Dawson

• “All is hubble-bubble, swarm and chaos”: The cognitive contingencies and possibilities in Virginia Woolf’s “The Cinema”

  Avishek Parui

• The Little Magazine as Interdisciplinary Space: Literature and the Visual Arts in the Acorn (1905-6) and the Apple (1920-22)

  Louise Kane

• Re-evaluating Woolf’s Androgynous Mind

  Elizabeth Wright

• Seeds of Darkness: Joseph Conrad and Ernest Dowson

  Matthew Brinton Tildesley

• Ezra Pound and the Romantic Ideal

  Jeffrey Side