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• “Wortmaschine:” Electronic Music in Contemporary German Literature

  Karoline Baumann

• Bridging Music and Language in Samuel Beckett’s Ghost Trio and Nacht und Träume

  Lucy Jeffrey

  2016-06-01

• Singing from Manuscripts? Fifteenth-Century, English, Secular Songs with Music and their Reading Practices

  Timothy Glover

  2017-01-31

• Blurred Identities: The Threepenny Opera between Stage-Play, Musical and Film

  Judith Wiemers

• ‘Throbbing on taut ear-drum’: The Acoustics of David Jones’ In Parenthesis

  Suzannah Evans

  2015-09-30

• Music, Death-in-life and Paradise in Sylvia Townsend Warner’s Novel The Corner That Held Them

  Lynn Mutti

  2014-11-09

• The birth of the tramp: Chaplin, gesture, and the rhythms of modernity

  Sarah Hanks

• Music, A Motif in Modernism: An Examination of the Musical Design in “Four Quartets”

  Jeremy Diaper

• “Edgar Allan Poe: A Case Study for the Necessity of a ‘Word and Music’ Vocabulary”

  Charity McAdams

• “Let Me Take You Down...” Stephen Poliakoff's Strawberry Fields, Pop Music and 1970s Ennui

  Kieran Curran