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• ‘Throbbing on taut ear-drum’: The Acoustics of David Jones’ In Parenthesis

  Suzannah Evans

  2015-09-30

• Representations of Hair in Mid-Victorian Arthurian Poetry

  Jasmin Böhm

• The Use of Debates in John Milton’s Poems: Rethinking the Conventions of Scholastic and Humanist Dialectics

  Fernando Martinez-Periset

• ‘I manage my mere voice on postcards best.’: Review of The Letters of Thom Gunn, edited by Michael Nott, August Kleinzahler, and Clive Wilmer (London: Faber & Faber, 2021).

  Felix Hawlin

  2021-09-24

• Review of the Rhyme in English Poetry Conference

  Nicoletta Asciuto

• ‘Such a death were sweet’: Invitingly Deadly Waters in the Poems and Drawings of Stevie Smith

  Geraldine Bell

  2017-01-31

• The Poetry of ‘Italicization’: Acts of Perception in Louis MacNeice’s ‘Snow’ and ‘Train to Dublin’

  Nao Igarashi

  2017-03-31

• Philip Larkin: Grounded Visionary

  Brendan McNamee

• Coleridge and the Origin

  David Towsey

• Manfred’s Mourning and Cain’s Melancholia: A Freudian Comparison of Lord Byron’s Two Metaphysical Heroes

  Pamela Kao

• Sche made many a wonder soun: Performative Utterances and the Figure of Medea in Ovid’s Metamorphoses and John Gower’s Confessio Amantis

  James Wade

• “We Like a Fire and We Don’t Mind if it Smokes”: Gertrude Stein’s Transgressive World of Words in Lifting Belly

  Tyke O'Brien

  2004-09-01

• James Beattie’s “The Judgement of Paris”: A Neglected Example of Eighteenth Century Philosophical Poetry?

  Virginia Sampson

  2005-09-01

• Slaying Daddy: Subverting the Filial Elegy in Sharon Olds’s The Father

  Anna Woodford

  2006-03-01

• William Blake and Edward Young’s Night Thoughts

  Michael Farrell

• 'Wrapped like a present': artifice in Michael Longley's 'Troubles' elegies

  Naomi Banks

• ‘You have made this yours absolutely’: the shared concerns of János Pilinszky and Ted Hughes

  John Clegg

• Linguistic Hybridity in Thomas Hardy’s Poetry

  Heather Hawkins

• Comparison as the Gesture Between Them: John Burnside and Jorie Graham

  Laurel Taylor

• Baudelaire's Feminine, Urban Landscape: Symbolic City and the (De)generative Woman

  Atalia Lopez

• “[T]hen the veil was rent”: Homeric Insight and the Material Sublime

  Octavia Cox

• ‘This hinder nycht, halff sleiping as I lay...’: The Autobiographical Impulse in the Dream Poetry of William Dunbar

  Laurie Atkinson

  1-11

  2021-12-01

• Testing boundaries: Millom and the Ironworks in Norman Nicholson’s The Pot Geranium (1954)

  Laura Day

  2022-04-08

• Lady Hester Pulter and the Poetics of Self-Transmutation

  Laurence Chen

  2024-04-18

• ‘Firme and well fixt’ Re-presentations of Robert Herrick’s poetry in printed miscellanies

  Callum Seddon