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• "The Looking Glass": Visual Perception in Elizabeth Bishop's 'The Gentleman of Shalott' and John Ashbery's 'Self-Portrait in a Convex Mirror'

  Kim Howey

  2005-09-01

• Strange Openings: the Second World War in paintings by Colin Middleton

  Guy Woodward

• Baudelaire's Feminine, Urban Landscape: Symbolic City and the (De)generative Woman

  Atalia Lopez

• 'Break the Narrative': Metafictional Anthropocene Aesthetics in Jeanette Winterson's 'The Powerbook' and Ben Lerner's '10:04'

  Alex J. Calder

• Re-Writing the City: Postmodern Observing in the Imaginary Londons of Salman Rushdie's The Satanic Verses and Iain Sinclair's Downriver

  Nick Bentley

• J.G.Ballard and the Gated Community: Strategies of the Social

  Liam Thomas McNamara

• Phrenology and Representations of Physical Deviance in Victorian Fiction

  Tamara S Wagner

• Colour, Seeing and Seeing Colour

  Michael J Huxtable

• Kant, Davidson and the Value of Metaphor

  Benjamin Westley

  2004-09-01

• William Blake and the Bible: Reading and Writing the Law

  Michael Farrell

  2006-03-01

• The Politics of Exposure and Concealment in Post-colonial Discourse

  Maggie Awadalla, Anastasia Valassopoulos

  2013-06-19

• Under the Guise of Art: Victorian Aesthetic Pornography

  Amanda Di Ponio

• “Pure beauty of line”: Gerard Hopkins and William Butterfield

  Martin Dubois

• Ezra Pound and the Romantic Ideal

  Jeffrey Side

• The Whale, the Hell Mouth and the Aesthetics of Wonder in Thomas Lodge and Robert Greene’s A Looking Glass for London and England (c. 1589)

  Jenny Sager

• ‘Saved by Separation…All in One Piece’: Surrealist Collage in Barnes’ Nightwood and Nin’s Collages

  Olivia Ho

  2014-11-09

• Regions of the Mind: the Exoticism of Greeneland

  Andrew Purssell

  2006-03-01